for Second Prisoner in Fidelio by Beethoven at the Caramoor Center for Music and the Arts, July 2016

“excellent young singers as the First and Second Prisoners, tenor Cameron Schutza and bass Andrew Munn.”

Broadway World, August 4, 2016

for Beethoven Lieder at the Caramoor Center for Music and the Arts, July 2016

“Andrew Munn’s sonorous bass and sensitive phrasing were put on particularly good display in Aus Goethe’s Faust.”

The Huffington Post August 2, 2016

for Bass Solos in The Messiah by  Handel with The Orchestra Now at Bard College, April 2016

“The bass, Andrew Munn, stood out for his profound rendition of ‘the darkness covering the earth’”

The Millbrook Independent, April 10, 2016

for Beethoven in The Classical Style by Steven Stucky at the Aspen Music Festival, 2015

“Sonorous bass Andrew Munn made a moody and gawky Beethoven… Audience response was highly enthusiastic. The laughs kept coming, the casts delivered good comedic timing and even better singing.”

Aspen Times, August 4, 2015

“This staging, performed enthusiastically by members of the Aspen Opera Theater Center, and directed briskly by Edward Berkeley, served as a rewarding vehicle for the wigged Big Three… basso Andrew Munn, suitably gruff as Beethoven.  The trio displayed fine singing and decent acting, each doubling in smaller roles along with the rest of the cast.”

Opera News, November 2015

for Reverend Wadsworth in Emily by Eva Kendrick with the Thompson Street Opera, 2014

“Andrew Munn’s rich, velvety bass is a delightful, if brief, presence.”

Louisville Public Media May 24, 2014